Category Archives: Event

Metadata Discovery and Formats and Preservation round table

Data Management, Event, , ,

Recording available on request

Live tweeting #ualdm

This event focussed on Metadata Discovery and Formats and Preservation, a round table comprised of both researchers and data managers/librarians started looking at developing some best practice around the organisation, storage and accessibility of arts data.

At this roundtable we worked more as a working group and therefore will be limited the number of places available in order to have a manageable group to generate some best practice ideas which were then circulated for further discussion. We invited researchers (particularly practice based) to feed in on how they document their processes.

Attendees:

  • Ximena Alarcon: UAL Researcher
  • Neil Cummings: UAL Researcher
  • Marie-Therese Gramstadt: UAL Special Collections
  • Andrew Gray: Goldsmiths Repository Manager
  • Laurence Horton: LSE Data Librarian
  • Amanda Kipling: Goldsmiths Researcher
  • Anna  Lawson: UWE Research Repository librarian
  • Stephanie  Meece: UAL Scholarly Publications  Manager
  • Claire Mokrauer-Madden: CCW Graduate School Administrator
  • Pratap Rughani: UAL Researcher
  • Sarah Sparke: UWE Researcher
  • Athanasios Velios: UAL Researcher
  • Betty  Woessner: UAL Research Data Manager
  • Alex Kohn: UAL Assistant Librarian
  • Rachel Jillions: UAL Communications

The meeting was opened by Thanasis Velios who discussed and gave rationale for the promotion and use of Open Formats.  A recording of this is available here and a transcript will soon be posted.

We then broke up into groups comprised of a balanced mix of researchers and administrators/librarians to look at file formatting for preservation of Text/Images, Sound, and Film/Video.  Most of the discussions centred around how the researchers worked with their materials and the formats used.

Images/Text Group

  • Researchers used the formats available to them which largely came from proprietary packages such as Microsoft Word.
  • For archiving there was a preference for open formats as these were better for long term preservation and would not be reliant on commercial product availability for access in the future.
  • It was agreed that a good resource detailing open and closed formats should be created which also provided a rationale for the use of open formats.

Sound group

  • Laurence Horton, who deals mainly with Social Science data said that saving sound files (mainly from Dictaphones)  to the repository was difficult as recordings were not really good enough quality so they mainly relied on transcripts
  • The use of i-phones to record was also discussed and how these files were proprietary and did not operate across platforms.
  • Recommended format references could also be found on Jisc at directgov.uk

Film/Video group

  • Pratap Rughani discussed his technical processes for documentary films and has forwarded the following recommendations with regards to professional quality equipment output:

If you have been working on the EX cameras in the native codec you must convert to ProRes422HQ. 1080p. This is also applicable for DaVinci grading. Timebase 25fps. All QT files will be backed up for show reel and to archive. When grading your film make sure it is broadcast safe. The maximum audio peak level is -6dB. Average volume -12dB. We can produce a Blu-ray and Digital Cinema Package (DCP) so you have good quality versions for future exhibition.

  • The file formats of the raw data are dependent on the editing programmes used.
  • There is degradation in versioning of digital files therefore recommended to always keep a master copy
  • In terms of data selection, there are programmes which can annotate digital video files or pull clips and annotate which could subsequently be archived.

While the aim was to reach some recommendations around usable formats for data management, it was felt that more investigation and validation by technical experts was needed before anything definitive could be proposed.

We will therefore continue this theme into our next meetings.

Metadata Discovery

Ximena Alarcon Diaz presented her project Sounding Underground and how it was being transferred to the British Library Sound Archives followed by some discussion as to how people are labelling and identifying their data.  Most people in the group used file naming and folder structures as the means of organising their work so some development could be done as to how this method could be used when sharing data as well.

As a result of the recommendations we will for next meeting:

  • create a resource list detailing open and closed formats and the different types of open documents along with definitions for the many different file extensions.  This could be compiled from already existing resources.
  • Circulate the “Rough Guide to Video” produced at UAL
  • Invite technical expertise to the next group meeting

UAL Data Management at ARMA

Data Management, Event

A0-POSTER-DavinaM

Betty Woessner presented a poster about Data Management at UAL at the ARMA conference in Blackpool this year. It was designed by Artstemp Davinia.

  • 24th Annual Conference took place on Monday 9th to Wednesday 11th June at the Hilton Hotel and Conference Centre in Blackpool. – See more at: https://www.arma.ac.uk/events/annual-conference/arma-2014

The events we held in 2013-14

The first event  of 2013/14  concentrated on an internal audience, bringing together primary Stakeholders; people working with data in Libraries, Researchers, Research Centres,  RMA, Library and Special Collections, IT, CLTAD; as part of their research,  as confidential data, as specialist archives.

The event took place in the Kings Cross building, with Alex Kohn from UAL Research Online with Betty Woessner and Jonathan Rans from the Digital Curation Centre (DCC) all presenting.  Attendees included representatives from RMA, the Legal team, the LCF Archive, Research Centres including Fashion Curation, Sustainable Fashion, Textile Futures and Ligatus.

Betty Woessner welcomed everyone to the event, introduced the project and outlined what was expected from this new platform. Alex and Betty introduced The Rococo Project, a project which they had been archiving and uploading to the RO Repository for Professor Stephen Scrivener. The co-design project started in the 1990’s and data was captured on VCR tapes, which were then digitised and uploaded to the UAL data repository so that the data could be shared, used and developed by other researchers rather than left in a box to become unusable.

Community of practice Betty Woessner and Alex Kohn (PowerPoint presentation 7761 KB)

Following on from this, Jonathan Rans introduced Data Management and how the Digital Curation Centre works with other institutions to identify gaps and raise capabilities across the sector.

UAL slides Jonathan Rans, DCC (PowerPoint Presentation 1276 KB)

After Jonathan’s presentation, the speakers took questions from the floor. These included:

The second community of practice: research data management at UAL took place at High Holborn and welcomed UAL staff and also an external audience, which included people from:

  • Goldsmith’s University
  • Imperial University
  • Royal Holloway
  • Surrey
  • University of East London
  • British Library
  • King’s College, London

Simon Willmoth introduced the event and Martin Donnelly from DCC came down from Edinburgh to Chair the event. Martin helped to develop UAL’s Data Management Policy and has a special interest in Research Data and the Arts.

Professor Stephen Scrivener talked more about his Rococo project and how the data created from the initial study in the 1990’s is still influencing his research now and how it could be interpreted and used by other researchers. He discussed the positive experience of archiving his data on to UAL RO and the positive outcomes he could foresee from this.

Martin then welcomed Robin Burgess from Glasgow School of Art’s Data Repository, who shared GSA’s  approach to research data and the development of their Research Data Archive and Repository.

The event was recorded and can be viewed here on YouTube